🗞️ About This Series (brief)
Each entry walks question-by-question through one session of The Ra Contact, offering clear summaries, commentary, and grounded ways to apply the ideas.
Primary text (clickable):
🧭 Session Snapshot
Date: May 29, 1982
Core Themes:
Working logistics & ethics: photography, “tell the truth,” and avoiding trance risk.
Tarot origins: Venusian third-density work on the archetypical mind.
The Choice (Arcanum 22): Ra says their own Venus work under-emphasized it.
How to study archetypes: don’t “condense”; learn each archetype as a melody/gestalt.
Tarot vs divination: Major Arcana = self-knowledge; divination arises when mixed with astrology-oriented decks.
Training curriculum: a concrete lesson plan for working the 22 archetypes.
🌟 Key Takeaways
Truthfulness is a spiritual practice. Even photos for a publisher become catalyst: “no sham,” no pretense—use the moment to be genuine.
Tarot isn’t “Egyptian first” in Ra’s telling. The concept originates in the planetary influence called Venus, built as a training aid for developing the magical personality.
Archetypes aren’t a flowchart. Ra strongly pushes back on “compressing” Catalyst → Experience → Transformation → Great Way into a single repeated mechanism. Each archetype is a thing-in-itself with a distinctive “melody.”
Major Arcana isn’t “for fortune-telling.” Ra distinguishes archetypal study from divination; divination emerges when archetypes are placed among astrologically-oriented cards and become “magnetized” to the practitioner’s impressions.
There is a method. Ra gives an explicit teaching order and a sequence of pairing contemplations—then emphasizes: no dogma; creative work by the initiate.
88.1–88.2 — Instrument condition & replenishing energy
Summary. Physical energy deficit is considerable; vital energies have significant loss, yet remain within “strength.” Ra advises applying what has been learned conscientiously.
Commentary. This is the “spiritual housekeeping” side of the Ra Contact: the metaphysics rides on the instrument’s condition. Ra doesn’t give a single magic fix—rather, they nudge the group to apply the many prior learnings consistently.
88.2 (continued) — Negative “minions” and the hands / thoracic region
Summary. Ra says fourth-density negative minions are energizing imbalances especially in the instrument’s hands (and somewhat in the thoracic region). They advise minimizing use of the hands and suggest the group discuss this (since the instrument won’t like it).
Commentary. Two layers:
Metaphysical: the greeting/pressure targets the “interface” of service (hands) and perhaps breathing/upper chest.
Practical: Ra repeatedly returns to very concrete counsel: reduce strain, pace the work, protect the instrument.
88.3 — Is the fifth-density negative companion “resting”?
Summary. The 5D companion is not present, but it is not resting.
Commentary. This fits the late-cycle pattern: even when not “on-site,” the higher-density adversary remains engaged, working indirectly through lower-density forces.
88.4 — Censer: keep it burning?
Summary. The censer’s new configuration helps subtle energy patterns. Continuous burning would help, but too much smoke/combustion is undesirable; between too much smoke and letting it finish, Ra prefers letting it finish.
Commentary. A tiny example of Law-of-One practicality: the “best” is not always maximal ritual intensity—balance in the working space matters.
88.5 — “Bleed-through”: the instrument’s awareness during trance
Summary. The mind/body/spirit complex of the instrument is with Ra; as the instrument “awakens from the metaphorical crib” of their density, it becomes aware of movement of thought but cannot grasp it—like an infant hearing first words. This should continue and is an appropriate outgrowth of the workings.
Commentary. This is one of the clearest descriptions of why trance contacts can leave subtle residue:
Awareness does not equal comprehension.
The instrument may “sense” the stream without being able to interpret it.
Gentle takeaway: don’t force interpretation; focus on stability and care.
88.6 — Bathroom urgency before session
Summary. It is partly due to low vital energy. The instrument has sustained pain that drains energy; balancing has included “variety of experiences” that were discouraged out of concern, which further drained the entity. The will to serve is being tested; the instrument uses vital energy to fuel will; no physical energy used, but vital energies tapped so the instrument may consciously choose service again.
Commentary. This is a nuanced psychology-of-service passage:
Pain turns one inward; variety helps balance.
Over-protection can accidentally drain.
Will can “borrow” from vital energy.
This reads like a subtle counsel to any serious seeker: service should not erase the human range of life.
88.7–88.9 — A small crystal: benefit, who charged it, and free will
Summary. The crystal is beneficial as long as the one who charged it is positively oriented. It was charged by “Neil.” Don asks if it would abridge the first distortion to say whether Neil is still positive; Ra notes Don has answered his own query.
Commentary. The hidden teaching: spiritual tools are not “neutral tech.” Their efficacy is entangled with the charge/intention and the current polarity/clarity of the charger.
Also: Ra deftly avoids violating free will. Don’s own discernment is the point.
88.10–88.12 — Publisher photos: magical considerations & avoiding trance risk
Summary. Practical advisability is up to their discrimination; there are magical considerations.
Photos must be of what actually is—only an actual working, no sham/substitution.
It is inadvisable to photograph the instrument or working room while the instrument is in trance, to keep electrical/electromagnetic energies constant.
Once picture-taking is expected, during the entire process the instrument should continuously respond to speech to ensure no trance is imminent.
Ra approves the plan and asks photos be truthful, dated, and clear—no shadow but genuine expression.
Commentary. This is one of the strongest “ethics of presentation” moments in the Ra material:
No staged spirituality.
“Tell the truth” becomes devotional.
Practical translation for your newsletter project, too: represent sources and your own commentary honestly—don’t create a “mystique” by fabrication.
88.13–88.15 — Tarot origin: Venus, purpose, and veiling insight
Summary. The tarot concept originated within the planetary influence called Venus. It was devised by Venus’s third-density population long ago. Venus 3D dealt deeply and harmoniously with relationships, sexual energy transfer work, and metaphysical research. Generations of work on the archetypical mind produced the tarot, used as training aid for developing the magical personality. Don guesses the early Venus seekers partially penetrated the veil and gleaned insights about archetypes/veiling and then designed tarot to teach others; Ra confirms.
Commentary. A lot happens here:
Ra ties tarot to a culture of relational harmony and disciplined metaphysics.
Tarot is framed as a magical personality training tool, not entertainment.
The “partial penetration of the veil” implies early-access intuition about deep mind structure.
This also resonates with Ra’s repeated theme: when consciousness is trained, symbolism becomes a precise language.
88.16 — Were Ra’s original “card names” different?
Summary. Ra declines to reconstruct minor descriptive differences between their tarot and later Egyptian/descendant versions, because each archetype is a concept complex and is viewed uniquely by individuals and by those shaped by planetary/racial influences. However, Ra highlights one major later breakthrough: proper emphasis on Arcanum 22, The Choice. They knew an unifying archetype existed but did not give it proper concept-complex emphasis to use it most efficaciously for evolution.
Commentary. Two vital ideas:
Symbolic forms vary; the archetypal melody remains.
The Choice is central. Even advanced Venus seekers “underweighted” it.
Practical translation: if archetypal study becomes abstract, The Choice pulls it back into lived polarity: how love/wisdom is used, how will is aimed, what is served.
88.17 — Don’s “condensing” model: Ra’s strong correction
Summary. Don proposes a model where Significator is acted upon by Catalyst → Experience → Transformation → Great Way, repeated for mind/body/spirit, with differences by domain. Ra responds that Don’s correctness is tangled with fundamental misunderstanding; they request a realignment:
The archetypical mind is a fundamental portion of mind complex and a rich source for the seeker.
Attempting to condense archetypes is erroneous; each is a “thing in itself” with its own concept complex.
Relationships among archetypes are secondary to discovering each archetype’s pure gestalt/vision/melody to intellectual and intuitive mind.
Significators are complex; Catalyst/Experience/Transformation/Great Way are best viewed as independent complexes with their own melodies.
Archetypes do not have direct linkage to body/spirit; they inform thoughts which then may bear upon mind/body/spirit, drawn up through higher subconscious to conscious mind.
Used in a controlled way, they are most helpful.
Ra invites re-questioning.
Commentary. This is a cornerstone for “how to do archetypal work” without flattening it into a diagram.
A helpful metaphor:
Don’s model is like saying, “All music is just verse-chorus-bridge.”
Ra says: Yes, there are structures, but each song has a unique melody and emotional truth you must actually hear.
A practical method implied:
Learn each archetype as an experiential “tone.”
Then explore relationships.
Then apply deliberately (“controlled way”).
88.18–88.21 — Did Ra use physical cards? If not, what method?
Summary. Ra did not use tarot-like cards in Venus 3D. They used sustained mental visualization of complex images. They give an analogy familiar in Christian mass: a small portion of food is mentally configured as the “entirely real” Jesus (Jehoshua), as a visualization. Concepts were sometimes drawn, but not one visualization per card. Teaching was “cabalistic”: oral tradition, mouth to ear. In Egypt, the same process was used, but later teach/learners drew the images and later used cards bearing those representations.
Commentary. This reframes “tarot” as fundamentally inner work:
Cards are training wheels.
The real instrument is disciplined imagination + oral transmission + initiatory context.
This also explains why Ra repeatedly emphasizes the “melody” of an archetype: it is not just “looking at an image,” but becoming intimate with a living inner pattern.
88.22–88.23 — Court and Minor Arcana: were they Ra’s?
Summary. Court and Minor Arcana were products of influences from Chaldea and Sumer.
Commentary. This is a clean historical/occult boundary marker in Ra’s narrative:
Ra’s teaching = Major Arcana archetypes.
Later cultural layers grafted onto the system.
For practice: you can work deeply with the 22 without adopting every later overlay.
88.24 — Tarot and divination: what’s the relationship?
Summary. Ra first divorces tarot-as-divination from Major Arcana-as-archetypes. Astrology can be significant for initiated entities who understand the Law of Confusion. Planetary influences enter the Earth energy web and move entities like the moon moves the waters; our nature is “water,” easily impressed. Two major influxes: conception (physical/yellow-ray incarnation) and birth (first breath into chemical body). Those who know star configurations can see a broad map of one’s traveled and likely-to-travel territory on physical/mental/spiritual levels and may develop psychic/paranormal abilities.
When archetypes are shuffled into astrologically-oriented Court/Minor cards, archetypes become magnetized to the practitioner’s impressions and become a linkage between practitioner and questioner; this can yield meaningful configurations. In themselves, Major Arcana have no rightful place in divination but are tools for knowing the self for the purpose of entering a more profoundly realized present moment.
Commentary. This is a “two-lane road” answer:
Lane 1: Astrology and psychic divination (possible, but requires initiatory ethics + respect for free will).
Lane 2: Major Arcana as self-knowledge (primary, rightful place).
The philosophical punchline: archetypal study is meant to deepen your capacity to inhabit the present moment with awareness.
88.25 — Ra’s “lesson plan” for teaching the 22 archetypes
Summary. Ra describes their approach on Earth:
Present images in a specific order to compare mind/body/spirit across the same class:
1, 8, 15
2, 9, 16
3, 10, 17
4, 11, 18
5, 12, 19
6, 13, 20
7, 14, 21
then 22
After mastery and comparison across the seven archetype classifications, consider archetypes in pairs:
1 & 2; 3 & 4; 5; 6 & 7 (and similarly for body and spirit)
Significator left unpaired, to be paired with 22.
When resonances are grasped, the initiate learns to become each archetype and to know when adopting its persona is helpful.
Ra emphasizes creative work, no dogma, and individualized helpful perception.
Commentary. This is gold for serious archetypal students:
It’s not random card-pulling.
It’s structured comparative contemplation.
It culminates in a kind of ethical/energetic “role adoption” for spiritual purpose.
Visualization (the “columns” idea):
Column A: Mind archetype (1–7)
Column B: Body archetype (8–14)
Column C: Spirit archetype (15–21)
Then 22 as the unifier
You compare across rows: (1/8/15), (2/9/16)… to see how the same function manifests through mind/body/spirit.
88.26 — Improve contact / instrument comfort
Summary. Ra warns again about the instrument’s hand distortions; without abatement, surgery may soon be necessary. Alignments good; group fastidious. Ra closes with blessing and “Adonai.”
Commentary. The session ends with the same message it began with: care matters. Even while mapping the archetypal mind, the instrument’s hands—service-organs—need protection.
🛠️ Practice Corner — Living Session 88
“No sham” honesty (5 minutes). Where are you tempted to curate an image of yourself that isn’t quite true—spiritually, socially, professionally? Pick one tiny place to choose clean honesty.
Archetype-as-melody exercise (10 minutes). Choose one archetype (e.g., The Choice). Don’t analyze. Sit quietly and ask: “What is its tone?” Write 5–10 words that describe the felt sense.
Controlled use. Identify one situation today where an archetypal “persona” could help (e.g., steadiness, compassion, discipline). Decide consciously; apply gently; reflect afterward.
Present-moment aim. If your study doesn’t deepen presence, simplify: return to one archetype and listen again.
📚 Extended Notes & Context
For definitions and cross-references: A Concept Guide is designed exactly for the “what does this term mean in Ra?” style of study. It can help prevent the “condensing” problem by keeping concepts distinct and clearly scoped. (Official PDF: https://assets.llresearch.org/books/a_concept_guide.pdf)
For understanding the ethics and mechanics of channeling and “tuning”: L/L Research’s A Channeling Handbook offers a practical framework for psychic greeting, ethics, and clean intention—useful context when Ra comments on trance risk and “narrow-band contact.” (Official PDF: https://assets.llresearch.org/books/a_channeling_handbook.pdf)
For a readable synthesis of polarity and The Choice: Living the Law of One 101: The Choice is an accessible bridge between metaphysics and lived practice—especially relevant here because Ra highlights Arcanum 22 as the key breakthrough. (Official PDF: https://assets.llresearch.org/books/living_the_law_of_one_the_choice.pdf)
For oral-history context of the Ra Contact group and their lived experience: Tilting at Windmills provides interview-based background that can add human texture to “publisher,” “photographs,” and the realities of carrying the work. (Library page: https://www.llresearch.org/library/tilting-at-windmills)
🧠 Study Prompts
Where do you over-compress spiritual ideas into a neat diagram—losing the living “melody”?
If The Choice is the unifier, what is your Choice in one specific recurring life scenario?
What would it mean, concretely, for your study to serve a more “profoundly realized present moment”?
Note: This material reflects Ra’s metaphysical perspective and is offered for study—not as dogma. Use your discernment.

